A small bronze staircase connecting two floors of a prestigious Roman apartment solved the intercommunication between two richly decorated environments.
At the end of the fifteenth century the accidental archaeological discovery of the Domus Aurea gave way to the Grotesque decoration, which found its maximum expression in Raphael’s Rooms; similarly, Cristiano Alviti, a Roman sculptor, was inspired by those paintings, migrating them, in a completely original manner, to the third dimension.